Shadows in Bloom

Venue 1 – MTC Backstage at the Mainstage

 

Shadows in Bloom, a one-woman play written and performed by Gemma Wilcox, tells the story of the relationship between Sandra who, having just turned 30, feels her biological clock is ticking and wants to settle down and raise a family with Pete, a single dad who seems more than a little hesitant to do so.  As story lines go, this one is fairly unremarkable.  Also, the characters are pretty much ordinary people; similarly, they too are not overly remarkable.  The interest in this piece lays not so much in the story as in the telling of it. Wilcox not only plays the parts of both Sandra and Pete, but also a host of secondary characters, including (amusingly) lobsters and house plants.  While other actors have played multiple characters in Fringe shows before, few have done so as smoothly as Wilcox does in this piece.  Using subtle changes in voice and posture, she is able to bring all of these characters to life, and switch seamlessly between them.  While this is fascinating to watch, it is not mere juggling.  Taken together, the multiple characters blend together to form a rich tapestry which serves to illuminate Sandra's psyche.  Also worthy of note are the scenes, heralded by a change in lighting, in which Wilcox switches from portraying the surface of Sandra's life, to her underlying emotions, depicted through a less verbal and more physically intense style of acting. Also her occasional forays into the audience are effective in providing some comic relief, preventing the tone of the piece from becoming too sombre.

 

There were a few minor questions I had about this piece.  While the play succeeds brilliantly in developing Sandra's character, Pete's character seems far less developed. Having said that I'm not sure whether developing his character more would improve the play or not.  Also the play spends a lot of time developing a gardening motif.  While this was interesting to watch, I couldn't quite grasp what bearing it had on the rest of the story.  Apart from these small points, Wilcox deserves credit for an original and well crafted play.

 

- Terry Moor UMFM